How does one turn words into moving pictures? It’s a mystery to my scientific brain, and it’s a wonderful gift. A friend, colleague, and published poet – Sammy Parker – has captured with gut-wrenching accuracy the frustrations and joys of teaching. He’s freely given permission for me to share this with you. I hope it captures you as it did me.
How does one turn words into moving pictures? It’s a mystery to my scientific brain, and it’s a wonderful gift. A friend, colleague, and published poet – Sammy Parker – has captured with gut-wrenching accuracy the frustrations and joys of teaching. He’s freely given permission for me to share this with you. I hope it captures you as it did me.
THE NEVER-ENDING LEARNABLE MOMENT
By Sammy Parker
—and there it is, she knows,
the cold, hard truth,
pared down to this:
if they’re not learning, I’m not teaching—
The scattershot edge of
technology and “best practices”;
the tense imperative of detached policies;
the file-13 tsunami of reforms, tests,
and vague threats about
an always ill-defined “accountability”
—all of that enervating white noise of stuff—
recede in importance
in the face of her students’ needs;
the quality of their responses;
their levels of engagement and energy;
and all true measures of
knowledge gained
or not,
things learned
or not,
things they can do
or not,
inching forward
or not
in the minute-by-minute
mix and jumble and
sometimes erratic interaction of
her wisdom and experience and
those messy, volatile, staid,
predictable, unpredictable,
sweet, annoying,
infinitely marvelous, wonderful,
and often-edgy
kids.
God, how she loves ‘em and
how they give her pause,
their minds and lives raw and nascent,
poised to be molded or shaped or
maybe just inspired by
her words and manner and spirit
and by the way she smiles and frowns,
cajoles and soothes,
and touches their minds
—or not.
Halls now 4:00 silent,
kids dispersed for another evening
to the unknowable other of their lives.
As most days, this one,
filled with tiny increments of
success and failure,
small gains, smaller losses,
winds down with
the gleam of introspection,
the need to dissect
the ways by which it all unfolded;
to sense, intuit, and scrutinize
what worked, what didn’t,
and why.
But—a hallelujah moment!—
she’s really not alone now:
a teacher of note and skill and reputation,
she’s still learned more about teaching,
the heart and soul and rhythms and
pragmatic core of teaching,
from the lively, serious give and take
with Tamara and Darryl,
two and three doors down,
than from all those
annoying, blurry years
of central-office-mandated,
disconnected chatter,
of “experts” coolly “developing” her,
droning endlessly,
fragmented agendas chosen for the
speakers’ reps or the topics’
great relevance du jour,
the kids’—and thus her—
actual needs be damned.
Now, she goes to learn from peers,
they from her,
sharing, probing, analyzing, innovating
—the quintessence of learning—
she and them and all their kids
the center of this universe
because she knows, oh yes,
if they’re not learning, she’s not teaching,
and, maybe far more important,
if she and Tamara and Darryl aren’t learning,
the kids will have no chance.
And that,
she fiercely knows,
deep down in her teacher’s heart,
is, quite simply,
not an option.
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